Gary Crook | artist

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hifructosemag:

David Slone uses oil on panel to create works that are painterly impressions of people with floating heads. The head shot images on drab backgrounds are reminiscent of creepy yearbook photos and similarly capture the awkwardness of the various phases of adolescence. These portraits are loose and interpretive but also contain areas such as the eyes and lips of the subjects that are rendered very realistically. This marriage of impressionism and realism makes for an interesting combination. See more here!:
http://hifructose.com/2013/05/13/david-slones-creepy-floating-head-paintings/

hifructosemag:

David Slone uses oil on panel to create works that are painterly impressions of people with floating heads. The head shot images on drab backgrounds are reminiscent of creepy yearbook photos and similarly capture the awkwardness of the various phases of adolescence. These portraits are loose and interpretive but also contain areas such as the eyes and lips of the subjects that are rendered very realistically. This marriage of impressionism and realism makes for an interesting combination. See more here!:

http://hifructose.com/2013/05/13/david-slones-creepy-floating-head-paintings/

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Liberal Arts Careers: Business Entrepreneurship - Business Curricula Need a Strong Dose of the Liberal Arts, Scholars SayIn Business Entrepreneurship category we Occasionally, when we at GC|a come across a Business…View Post

Liberal Arts Careers: Business Entrepreneurship - Business Curricula Need a Strong Dose of the Liberal Arts, Scholars Say

In Business Entrepreneurship category we Occasionally, when we at GC|a come across a Business…

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791 notes

darksilenceinsuburbia:

Diana Al-Hadid.

The Syrian artist Diana Al-Hadid creates massive, room-filling scuptures that explore and suspend our reality, using various materials like chicken wire, polyurethane foam, steel, wood or paint. ‘I want to explore the limits of my own thinking’ says Al-Hadid. The process of creating her artwork often starts without exactly knowing what she does. Thereby she carefully studies her material, like wax, clay, fiberglass or anything else. Al-Hadid doesn’t make art to show something, but to become interested in something. Now she is living and working in Brooklyn, NY.

 

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